Levizadik Buckins began his dance education at the Educational Center for the Arts in New Haven, Connecticut. He is a graduate of the University of North Carolina School of the Arts, under the direction of Ethan Stiefel. During his time at UNCSA, he worked with choreographers such as Brenda Daniels, Trish Casey, and Diego Schoch. He has also had the chance to work with well-known choreographers Maurya Kerr, Larry Keigwin, Scott Rink, and Trish Lent. He has performed professionally with the Winston-Salem Festival of Ballet under the direction of Gary Taylor in North Carolina, and River North Dance Chicago under the direction of Frank Chaves. While at River North Dance Chicago he worked with Adam Barruch, Kevin Iega Jeff, Ashley Roland, and Ivan Perez. Levizadik is currently a dance instructor at the Chicago High School of the Arts.
Department: ChiArts Arts Conservatory Faculty
Christian Helem
Christian Helem is a multi-hyphenate theatre artist whose belief is that if it doesn’t scare him a little it isn’t worth doing. The imaginative, musical and complex calls to him. As a playwright he has written: “tofu chitlin’ burrito supreme” (Stage Left Theater), apostles (UIC), and he is currently working on his new play “chronic”. His directing credits include: “The Little Things” (Pegasus Theater) “The Project(s)” (Stage Left Theater), “Marcus; or the Secret of the Sweet” (Pride Arts), 21 Chump Street: The Musical (Counter Collective), a queer version of The Glass Menagerie, and assistant directing for “Middle Passage” and “A View From the Bridge”. His acting credits include: Mr Franklin in Passing Strange, Matthias of Galilee in Last Days of Judas Iscariot, Doaker in August Wilson’s The Piano Lesson. He is the Competition Director of the Chicago August Wilson Monologue Competition, Associate Board Chair at Jackalope Theater, and a 500 hour registered Yoga Teacher.
Robin Gayle
Robin Gayle is a professional dancer, an established ballet teacher, and a certified Pilates instructor. She performed for nine seasons as a Soloist with the Columbia City Ballet, apprenticed with the Colorado Ballet, and has been a frequent guest artist around the country. Robin trained privately under Sherry Moray and Alla Osipenko and attended the Académie de Danse Classique Princesse Grace in Monte Carlo, the Ruth Page School of Dance, and the Chicago Academy for the Arts. Her summer intensives include the schools of American Ballet Theatre, San Francisco Ballet, and Joffrey Ballet. Robin was a top finalist at the Youth America Grand Prix competition and chosen to perform at YAGP Galas in 2000 and 2001. Robin’s reviews include Dance Magazine’s late Ann Barzel, who praised Robin as a “uniquely talented dancer,” and the Chicago Sun-Times’ Hedy Weiss, who characterized Robin’s dancing as “brilliant.” Additional credits include appearing in the movie “Save the Last Dance,” the TV show “Sabado Gigante,” and modeling for Capezio and Leo’s Dancewear. Robin has had the pleasure of working with the dancers at ChiArts since 2017.
Melissa Arning
Melissa Arning (she/her) grew up in the Detroit suburbs, went to college at the Cleveland Institute of Music, and now continues her tour of the Midwest at her home in Chicago. She credits her Midwestern roots with fostering her love of cars, Vernors, and Jello. A busy performer of both opera and oratorio, Ms. Arning’s roles include Ruth in Dark Sisters, Meg in Falstaff, Rosina in Il Barbiere di Siviglia, Cendrillon in Cendrillon, Muse/Nicklausse in Les contes d’Hoffmann, Hänsel in Hänsel und Gretel, Despina in Cosi fan tutte, Cherubino in Le Nozze di Figaro, and Mercedes in Carmen. For her work with the Chicago Symphony Chorus, Ms. Arning also has two Grammy awards. In her spare time, she is a beekeeper.
Nicole Scatchell
Nicole Scatchell holds a bachelor’s degree in Dance and a minor in Business Management, her teaching license to teach Dance K-12 in public schools and is currently pursuing a master’s in Counseling Psychology. Nicole has been a dedicated dance educator in CPS, domestically, and internationally for over 16 years. She is the Artistic Director of Chicago Dance Institute, on faculty at Chicago High School for the Arts, Harold Washington College, Joffrey Academy, and Dance Director of All City Performing Arts. Her choreography for ChiArt’s mainstage musical was nominated for Best Choreography through National High School Musical Theatre Awards. In partnership with WorldWide Orphans, Nicole has led and directed international programming in Haiti teaching local children and training local teachers in pedagogy. Nicole has trained with Hubbard Street Dance Chicago, Joffrey Ballet, and Ballet Legere. She has performed with the International Ballet Ensemble and companies including BONEdanse, Zephyr Dance, David Dorfman, Dropshift Dance and has worked with choreographers such as Peter Carpenter, Reggie Wilson, Jan Bartosek, Tammy Thomas, Sean France, among others. She has performed for audiences across the U.S, Scotland, Italy, France, and Germany. She continues to perform professionally and is earning credentials to pursue her dream of integrating arts education, mental health, and community intervention.
Maan Almodovar
Maan Nabong received her dance training from Sherry Moray, Homer Bryant, Wes Chapman, and Roger Van Fleteran. In 2000 and 2001, Maan placed 1st in the Junior Classical division at Youth America Grand Prix. From 2002-2004, she danced with the Alabama Ballet where she performed Arabian in George Balanchine’s Nutcracker and various roles in Cinderella, Romeo and Juliet, and Swan Lake. Maan was a scholarship student at Lou Conte Dance Studio in Chicago and at Alonzo Kings Ballet in San Francisco. In 2006-2007, Maan performed with the Lyric Opera of Chicago, working with choreographer, Daniel Pelzig in Die Fledermaus. Maan is a Stott-trained Pilates instructor and is also currently on faculty at the Joffrey Academy of Dance.
Chris Lin Dao-Heng
Chris Lin Dao-Heng is an interdisciplinary artist and educator based in Chicago, working in media including videos, comics, graphic design, puppetry, music, and installation. A major part of his art practice is related to language learning, immigration, humor, and vulnerability. Born and raised in Taipei, Taiwan, he earned his BFA with honor from the University of Victoria in 2005 and an MFA in Fiber and Material Studies from The School of the Art Institute of Chicago in 2008. His visual art, short stories, and comic work have been published by the Chicago Architecture Center, Bailiwick, This Side of West, Fiction At Work, Shampoo, and Levitate. Mr. Lin has taught at ChiArts since 2012 in both the Visual Arts and Creative Writing Conservatories. When he is not creating art and teaching, you can find Mr. Lin building elaborate Lego houses with his son, cooking complicated meals, and rocking out to synth music. abalonemoney.com
Kathy Scambiatterra
Kathy Scambiatterra is Artistic Director and co-founder of The Artistic Home. Chicago acting credits include: Beaten, The American Plan, Sweet Bird of Youth, The Skin of Our Teeth, Look Homeward Angel, Juno and the Paycock, Natural Affection, Orpheus Descending (The Artistic Home); The Glass Menagerie, Nelson Algren Live, The Diary of Anne Frank (Steppenwolf); Broadway Bound (Drury Lane Oakbrook); A Flea in her Ear (Chicago Shakespeare); Romeo and Juliet (Goodman Theatre), among others. Regional credits: The Quick Change Room (Pacific Resident Theatre). TV/Film credits: Chicago PD, The Appointment, Draggage, Sin Collector, Into the Wake. She has received 4 leading role Jeff nominations for work in Sweet Bird of Youth, Natural Affection, Abundance, The School for Wives. As a director, she has helmed acclaimed, Jeff nominated and After Dark Award winning productions for The Artistic Home including: Waiting for Lefty, In the Boom Boom Room, Angel City, After the Fall, Street Scene, Peer Gynt, The Madwoman of Chaillot, The Petrified Forest, Modigliani, Days to Come, The Touch of the Poet, The Night of the Iguana. Other directing credits: The Copperhead (City Lit) Angel City, Welcome to the Moon and Other Plays (LA Dramalogue Award), A Christmas Carol (Pacific Resident Theater (LA). Ms. Scambiatterra is the director of the actor training program at The Artistic Home Studio. In addition, she has taught at The Steppenwolf School, Columbia College, Center Theater’s The Training Center, Chicago, IL; Carolyn Berry Studio, The Pacific Resident Theatre LA, CA; Director’s Symposium, US Army, Heidelberg, Germany; Screen Training Ireland, Dublin, Ireland; and currently at The Chicago High School for the Arts.
David Blixt
An Artistic Associate of the Michigan Shakespeare Festival and A Crew Of Patches Theatre Company, David Blixt has designed violence for Steppenwolf, The Goodman, Writer’s Theatre, the Shakespeare Theatre of Washington D.C., First Folio Shakespeare, Artistic Home, Chicago Children’s Theatre, Rivendell, and Lifeline, among many others. Twice nominated for Joseph Jefferson Awards for Fight Direction, David is the resident Stage Combat Instructor at the Chicago High School For The Arts. The author of a dozen novels, David lives in Evanston and describes himself as “Actor, author, father, husband—in reverse order.”
Dr. Brooks Truly
Currently, Dr. Brooks Truly is a full-time percussion instructor and music department administrator at ChiArts. He also serves on the percussion faculty at Roosevelt University, performs regularly with the world fusion group Callaloo and the Chicago Summer Opera, and is a freelance percussionist/timpanist in the Chicago area. Dr. Truly has taught percussion at several universities and secondary schools, and has performed with dozens of orchestras and chamber groups as a section or principal percussionist/timpanist and as a featured soloist, as well as hundreds of drum set, world music, and theater performances throughout the Gulf Coast, South Florida, and Midwest areas. During this time, he has shared the stage with such artists as Lil Greenwood, Bobby Shew, Louie Bellson, Tony Bennett, Natalie Cole, Jim Walker, Yo-Yo Ma, Michel Camilo, Andrea Bocelli, Ramsey Lewis, Paul Potts, Faith Hill, Elvis Costello, Evanescence, Lindsey Stirling, Hanson, Celtic Thunder, Il Volo and Il Divo to name a few, and has worked with such conductors/composers as Scott Speck, Aaron Jay Kernis, Susie Seiter, James Judd, Helmuth Rilling, Sir Andrew Davis, Michael Tilson Thomas, Philippe Entremont, Russell Peck, Placido Domingo, and Phillip Glass, among others, and was a percussionist in the world premiere of Mason Bates’ Music for Percussion and Orchestra. Recently, he was invited to present his doctoral essay, The Afro-Cuban Abakuá as a performance/demonstration at the Percussive Arts Society International Convention (PASIC). Dr. Truly holds a Doctor of Musical Arts degree from the Frost School of Music at the University of Miami, a Master of Music degree from the Chicago College of Performing Arts at Roosevelt University, and a Bachelor of Music degree from the University of South Alabama, all in the field of Percussion Performance. He is an endorsed performing artist with Remo Drumheads, Sabian Cymbals, Vic Firth Sticks and Mallets, and is a member of the Black Swamp Percussion Educators Network. Former teachers include Ney Rosauro, Shannon Wood, Ted Atkatz, Richie Bravo, Ed Harrison, Vadim Karpinos, Paul Wertico, Ruben Alvarez, and John Papastefan.