A native of Madison, WI, Imani credits her early training to her mother, Karen Smith-English, Monona Academy of Dance, and the Madison Professional Dance Center’s performing company. She has received scholarships from The Wisconsin Dance Council, The Anthony Quinn Foundation, Dance Chicago, and was also awarded the Rahm Emmanuel Scholarship to attend intensive programs at River North Dance Chicago. Ms. English is a 2014 graduate and Valedictorian of the Chicago High School for the Arts. There, she performed repertoire from Hubbard Street Dance Chicago, Muntu Dance Theater, the Joffrey Ballet, and performed with the Alvin Ailey American Dance Theater in Memoria. Upon graduation from ChiArts, Imani joined DanceWorks Chicago in 2014 and in 2016 joined Dallas Black Dance Theatre’s DBDT: Encore! where she spent two seasons. During that time, she also performed with the Dallas Opera in Samson & Dalila and most recently with the Tony Award winning Dallas Theater Center in their production of the Broadway musical Hairspray. Throughout her career, Imani has performed works by renowned choreographers such as Harrison McEldowney, Kristofer Storey, Demis Volpi, Christopher Huggins, Jennifer Archibald, Tahehiro Ueyama, among others. Ms. English and has been on the faculty of the Dallas Black Dance Academy, The Chicago Multi-Cultural Dance Center, Steps Dance Center, and Visceral Dance Center. She has also taught for prestigious summer intensives in the Chicago area including The River North Chicago summer program, The Milwaukee Ballet School Summer Intensive, DanceWorks Chicago’s Dance360 program, and the Deeply Rooted Dance Theater Summer Intensive. Imani joined the dance faculty at the Chicago High School for the Arts in 2019 as a ballet instructor and has since additionally served as a Body Conditioning Instructor, Horton Instructor, and Rehearsal Assistant for multiple productions and guest artist works. In addition, Ms. English also teaches for Extensions Dance Company, Chicago Movement Collective, and other local studios in the Chicagoland area. Most recently, Imani commissioned a piece featured on Visceral Dance Company for the 2022 production of “Solus” as well as a new work created for Dance Wisconsin.
Department: ChiArts Arts Conservatory Faculty
Rebecca Faber
From playing classical music at Orchestra Hall to rock music on Warped Tour, Rebecca is a violinist, songwriter, producer, and educator who has used her classical music training to focus on innovating and blend genre lines. The genre-bending efforts began in undergrad at the University of Illinois at Urbana/Champaign, when she founded the rock band, The Lifeline. She used her training to give the band a unique performance quality, utilizing live looping techniques, as well as sequencing and sampling to enhance the presence of her violin. As a result she has graced the stages of many of the city’s finest venues such as Metro, House of Blues, Aragon Ballroom, Lincoln Hall, Beat Kitchen, Bottom Lounge, Double Door, Soldier Field, Subterranean, Cubby Bear and Goose Island Wrigleyville. In addition, she’s also been a part of many festivals and tours, such as SXSW, CMJ, Taste of Chicago, Taste of Chaos Tour, Warped Tour, Milwaukee Summerfest, and Q101 Block Party which further expand her influence. Rebecca Faber has worked with some of the best engineers and producers in the country. Names like Steve Albini (Nirvana), Chris Shepard (Chicago Recording Company), Sean O’Keefe (Plain White T’s), and Johnny Rioux (The Bruisers, Social Distortion, Street Dogs) are just a few of the diverse individuals that have helped Rebecca hone her craft and continue to innovate. As a result of work in the recording industry, she has become a voting member of The Recording Academy of Arts and Sciences, voting for the Grammys in both the musician categories and the Producers and Engineering Wing. She is also an ASCAP member and recipient of the ASCAP Plus Award in two consecutive years. In the spirit of giving back and inspiring others to use music as an outlet, Rebecca has taught in various settings, including privately, through the Ravinia Festival, at the Chicago High School for the Arts, and through online content on Reverb.com. Growing up in Chicago, Rebecca studied pre-college at the Merit School of Music, Midwest Young Artists’ Program, and studying privately under Laura Miller (Lyric Opera of Chicago). She attended the University of Illinois at Urbana/Champaign, studying violin performance under Peter Schaffer (Concertmaster, San Francisco Symphony). Continuing studies/additional training include playing master classes and lessons with David Kim (Concertmaster, Philadelphia Orchestra), Nathan Cole (Assistant Concertmaster, LA Philharmonic), Lisa-Beth Lambert (National Symphony), Cornelius Chiu (Chicago Symphony), Christopher Wu (Pittsburgh Symphony), and studied chamber music under the Avalon String Quartet.
Risha Hill
Risha Hill is a 2003 graduate of the MFA Acting program at the California Institute of the Arts. Risha taught in and around Los Angeles for seven years and moved to Chicago in 2014. She currently is a theater teaching artist in several organizations in the city and is now in her second year of teaching at ChiArts.
Levizadik Buckins
Levizadik Buckins began his dance education at the Educational Center for the Arts in New Haven, Connecticut. He is a graduate of the University of North Carolina School of the Arts, under the direction of Ethan Stiefel. During his time at UNCSA, he worked with choreographers such as Brenda Daniels, Trish Casey, and Diego Schoch. He has also had the chance to work with well-known choreographers Maurya Kerr, Larry Keigwin, Scott Rink, and Trish Lent. He has performed professionally with the Winston-Salem Festival of Ballet under the direction of Gary Taylor in North Carolina, and River North Dance Chicago under the direction of Frank Chaves. While at River North Dance Chicago he worked with Adam Barruch, Kevin Iega Jeff, Ashley Roland, and Ivan Perez. Levizadik is currently a dance instructor at the Chicago High School of the Arts.
Christian Helem
Christian Helem is a multi-hyphenate theatre artist whose belief is that if it doesn’t scare him a little it isn’t worth doing. The imaginative, musical and complex calls to him. As a playwright he has written: “tofu chitlin’ burrito supreme” (Stage Left Theater), apostles (UIC), and he is currently working on his new play “chronic”. His directing credits include: “The Little Things” (Pegasus Theater) “The Project(s)” (Stage Left Theater), “Marcus; or the Secret of the Sweet” (Pride Arts), 21 Chump Street: The Musical (Counter Collective), a queer version of The Glass Menagerie, and assistant directing for “Middle Passage” and “A View From the Bridge”. His acting credits include: Mr Franklin in Passing Strange, Matthias of Galilee in Last Days of Judas Iscariot, Doaker in August Wilson’s The Piano Lesson. He is the Competition Director of the Chicago August Wilson Monologue Competition, Associate Board Chair at Jackalope Theater, and a 500 hour registered Yoga Teacher.
Robin Gayle
Robin Gayle is a professional dancer, an established ballet teacher, and a certified Pilates instructor. She performed for nine seasons as a Soloist with the Columbia City Ballet, apprenticed with the Colorado Ballet, and has been a frequent guest artist around the country. Robin trained privately under Sherry Moray and Alla Osipenko and attended the Académie de Danse Classique Princesse Grace in Monte Carlo, the Ruth Page School of Dance, and the Chicago Academy for the Arts. Her summer intensives include the schools of American Ballet Theatre, San Francisco Ballet, and Joffrey Ballet. Robin was a top finalist at the Youth America Grand Prix competition and chosen to perform at YAGP Galas in 2000 and 2001. Robin’s reviews include Dance Magazine’s late Ann Barzel, who praised Robin as a “uniquely talented dancer,” and the Chicago Sun-Times’ Hedy Weiss, who characterized Robin’s dancing as “brilliant.” Additional credits include appearing in the movie “Save the Last Dance,” the TV show “Sabado Gigante,” and modeling for Capezio and Leo’s Dancewear. Robin has had the pleasure of working with the dancers at ChiArts since 2017.
Melissa Arning
Melissa Arning (she/her) grew up in the Detroit suburbs, went to college at the Cleveland Institute of Music, and now continues her tour of the Midwest at her home in Chicago. She credits her Midwestern roots with fostering her love of cars, Vernors, and Jello. A busy performer of both opera and oratorio, Ms. Arning’s roles include Ruth in Dark Sisters, Meg in Falstaff, Rosina in Il Barbiere di Siviglia, Cendrillon in Cendrillon, Muse/Nicklausse in Les contes d’Hoffmann, Hänsel in Hänsel und Gretel, Despina in Cosi fan tutte, Cherubino in Le Nozze di Figaro, and Mercedes in Carmen. For her work with the Chicago Symphony Chorus, Ms. Arning also has two Grammy awards. In her spare time, she is a beekeeper.
Nicole Scatchell
Nicole Scatchell holds a bachelor’s degree in Dance and a minor in Business Management, her teaching license to teach Dance K-12 in public schools and is currently pursuing a master’s in Counseling Psychology. Nicole has been a dedicated dance educator in CPS, domestically, and internationally for over 16 years. She is the Artistic Director of Chicago Dance Institute, on faculty at Chicago High School for the Arts, Harold Washington College, Joffrey Academy, and Dance Director of All City Performing Arts. Her choreography for ChiArt’s mainstage musical was nominated for Best Choreography through National High School Musical Theatre Awards. In partnership with WorldWide Orphans, Nicole has led and directed international programming in Haiti teaching local children and training local teachers in pedagogy. Nicole has trained with Hubbard Street Dance Chicago, Joffrey Ballet, and Ballet Legere. She has performed with the International Ballet Ensemble and companies including BONEdanse, Zephyr Dance, David Dorfman, Dropshift Dance and has worked with choreographers such as Peter Carpenter, Reggie Wilson, Jan Bartosek, Tammy Thomas, Sean France, among others. She has performed for audiences across the U.S, Scotland, Italy, France, and Germany. She continues to perform professionally and is earning credentials to pursue her dream of integrating arts education, mental health, and community intervention.
Maan Almodovar
Maan Nabong received her dance training from Sherry Moray, Homer Bryant, Wes Chapman, and Roger Van Fleteran. In 2000 and 2001, Maan placed 1st in the Junior Classical division at Youth America Grand Prix. From 2002-2004, she danced with the Alabama Ballet where she performed Arabian in George Balanchine’s Nutcracker and various roles in Cinderella, Romeo and Juliet, and Swan Lake. Maan was a scholarship student at Lou Conte Dance Studio in Chicago and at Alonzo Kings Ballet in San Francisco. In 2006-2007, Maan performed with the Lyric Opera of Chicago, working with choreographer, Daniel Pelzig in Die Fledermaus. Maan is a Stott-trained Pilates instructor and is also currently on faculty at the Joffrey Academy of Dance.
Chris Lin Dao-Heng
Chris Lin Dao-Heng is an interdisciplinary artist and educator based in Chicago, working in media including videos, comics, graphic design, puppetry, music, and installation. A major part of his art practice is related to language learning, immigration, humor, and vulnerability. Born and raised in Taipei, Taiwan, he earned his BFA with honor from the University of Victoria in 2005 and an MFA in Fiber and Material Studies from The School of the Art Institute of Chicago in 2008. His visual art, short stories, and comic work have been published by the Chicago Architecture Center, Bailiwick, This Side of West, Fiction At Work, Shampoo, and Levitate. Mr. Lin has taught at ChiArts since 2012 in both the Visual Arts and Creative Writing Conservatories. When he is not creating art and teaching, you can find Mr. Lin building elaborate Lego houses with his son, cooking complicated meals, and rocking out to synth music. abalonemoney.com