Rachel Slavick

Rachel Slavick has been teaching acting for 24 years. Rachel is also faculty at The Theatre School of DePaul University and acts and directs in the Chicago theatre community. She is currently directing the second of The North Shore Trilogy, Pakalolo Sweet, having directed the first (Not One Batu) last summer and will direct all three next summer of 2020.

Kathy Scambiatterra

Kathy Scambiatterra is Artistic Director and co-founder of The Artistic Home. Chicago acting credits include: Beaten, The American Plan, Sweet Bird of Youth, The Skin of Our Teeth, Look Homeward Angel, Juno and the Paycock, Natural Affection, Orpheus Descending (The Artistic Home); The Glass Menagerie, Nelson Algren Live, The Diary of Anne Frank (Steppenwolf); Broadway Bound (Drury Lane Oakbrook); A Flea in her Ear (Chicago Shakespeare); Romeo and Juliet (Goodman Theatre), among others. Regional credits: The Quick Change Room (Pacific Resident Theatre). TV/Film credits: Chicago PD, The Appointment, Draggage, Sin Collector, Into the Wake. She has received 4 leading role Jeff nominations for work in Sweet Bird of Youth, Natural Affection, Abundance, The School for Wives. As a director, she has helmed acclaimed, Jeff nominated and After Dark Award winning productions for The Artistic Home including: Waiting for Lefty, In the Boom Boom Room, Angel City, After the Fall, Street Scene, Peer Gynt, The Madwoman of Chaillot, The Petrified Forest, Modigliani, Days to Come, The Touch of the Poet, The Night of the Iguana. Other directing credits: The Copperhead (City Lit) Angel City, Welcome to the Moon and Other Plays (LA Dramalogue Award), A Christmas Carol (Pacific Resident Theater (LA). Ms. Scambiatterra is the director of the actor training program at The Artistic Home Studio. In addition, she has taught at The Steppenwolf School, Columbia College, Center Theater’s The Training Center, Chicago, IL; Carolyn Berry Studio, The Pacific Resident Theatre LA, CA; Director’s Symposium, US Army, Heidelberg, Germany; Screen Training Ireland, Dublin, Ireland; and currently at The Chicago High School for the Arts.

David Blixt

An Artistic Associate of the Michigan Shakespeare Festival and A Crew Of Patches Theatre Company, David Blixt has designed violence for Steppenwolf, The Goodman, Writer’s Theatre, the Shakespeare Theatre of Washington D.C., First Folio Shakespeare, Artistic Home, Chicago Children’s Theatre, Rivendell, and Lifeline, among many others. Twice nominated for Joseph Jefferson Awards for Fight Direction, David is the resident Stage Combat Instructor at the Chicago High School For The Arts. The author of a dozen novels, David lives in Evanston and describes himself as “Actor, author, father, husband—in reverse order.”

Dr. Brooks Truly

Currently, Dr. Brooks Truly is a full-time percussion instructor and music department administrator at ChiArts. He also serves on the percussion faculty at Roosevelt University, performs regularly with the world fusion group Callaloo and the Chicago Summer Opera, and is a freelance percussionist/timpanist in the Chicago area. Dr. Truly has taught percussion at several universities and secondary schools, and has performed with dozens of orchestras and chamber groups as a section or principal percussionist/timpanist and as a featured soloist, as well as hundreds of drum set, world music, and theater performances throughout the Gulf Coast, South Florida, and Midwest areas. During this time, he has shared the stage with such artists as Lil Greenwood, Bobby Shew, Louie Bellson, Tony Bennett, Natalie Cole, Jim Walker, Yo-Yo Ma, Michel Camilo, Andrea Bocelli, Ramsey Lewis, Paul Potts, Faith Hill, Elvis Costello, Evanescence, Lindsey Stirling, Hanson, Celtic Thunder, Il Volo and Il Divo to name a few, and has worked with such conductors/composers as Scott Speck, Aaron Jay Kernis, Susie Seiter, James Judd, Helmuth Rilling, Sir Andrew Davis, Michael Tilson Thomas, Philippe Entremont, Russell Peck, Placido Domingo, and Phillip Glass, among others, and was a percussionist in the world premiere of Mason Bates’ Music for Percussion and Orchestra. Recently, he was invited to present his doctoral essay, The Afro-Cuban Abakuá as a performance/demonstration at the Percussive Arts Society International Convention (PASIC). Dr. Truly holds a Doctor of Musical Arts degree from the Frost School of Music at the University of Miami, a Master of Music degree from the Chicago College of Performing Arts at Roosevelt University, and a Bachelor of Music degree from the University of South Alabama, all in the field of Percussion Performance. He is an endorsed performing artist with Remo Drumheads, Sabian Cymbals, Vic Firth Sticks and Mallets, and is a member of the Black Swamp Percussion Educators Network. Former teachers include Ney Rosauro, Shannon Wood, Ted Atkatz, Richie Bravo, Ed Harrison, Vadim Karpinos, Paul Wertico, Ruben Alvarez, and John Papastefan.

Patrick Rehker

Patrick currently free-lances in the Chicagoland area, teaching and gigging. He is a full time member of the Rockford Symphony and has performed with the Grant Park Music Festival, Southern Illinois Music Festival, Chicago Sinfonietta, Chicago Chamber Orchestra, Elgin, Kalamazoo, Illinois, Elmhurst, South Bend, Quad City Symphonies as well as the Illinois and Las Vegas Philharmonic and the Highland Park Strings. Other groups include OperaModa, Chicago Opera Vanguard, and the Downers Grove Choral Society. Patrick has also performed with the Chicago Shakespeare, Goodman, Paramount, Drury Lane, Timeline, Porchlight, Marriott, Writer’s, Royal George and Court Theatre Companies, as well as the American Girl Revue. Other performances include soloing at Carnegie Hall, Chicago Cultural Center’s Sunday Salon Series, and playing on WFMT. Aside from performing, He was a clarinet play-tester/technician at the Conn-Selmer factory in Kenosha, WI. Currently, Patrick is an Artist Clinician for D’Addario Woodwinds and provides free educational classes to schools in the Chicagoland area. As a teacher, he holds studios at Concordia University, Moraine Valley Community College, The Chicago High School for the Arts, and the First Conservatory of LaGrange. Patrick received his Masters from Northwestern University and Bachelors from Middle Tennessee State University.

Thomas Clippert

Thomas Clippert savors the wide variety of music available for the guitar, from the early Renaissance to the present day; his performing career regularly takes from solo guitar, to chamber music, to the vast world of improvised music. Tom is a graduate of the Yale School of Music where he studied with Benjamin Verdery and was awarded the Eliot Fisk Guitar Prize. Additional studies include Phillip de Fremery at the Mount Holyoke Guitar Master Class and Patrick Roux at the Domaine Forget Music and Dance Academy in Quebec. In addition to being a founding faculty member at ChiArts, Tom teaches at Oakton Community College. Tom is a regular featured artist at the Interlochen Fingerstyle Guitar Workshop.

Anthony Bruno

Anthony Bruno has dedicated his life to music as a performer, educator, and creator. Born into a musical family, playing music has been a hallmark of his existence. He believes creativity and connection is the essence of music performance.

An in-demand saxophonist in Chicago, he has performed with the likes of Wynton Marsalis, The Temptations, The Four Tops, Larry Carlton (Steely Dan), Bobby Watson, Jeff Hamilton, Gerald Clayton, Bobby Broom, and Mary Wilson of The Supremes to name a few. Bruno has also performed at various music festivals such as the New York City Winter Jazz Festival, the Chicago Jazz Festival and the Chicago Blues Festival. He has released numerous recordings that can be found on all streaming platforms including multiple releases chosen for Spotify Editorial Playlists. Anthony is also an endorsing artist for Selmer Paris Saxophones and D’Addario Woodwind Products. Bruno’s main musical influences are Jazz, Afro-Cuban, and R&B and considers them the foundational language to his approach to music performance.

As an educator, Bruno has taught at ChiArts since 2010 and has served as the Jazz Coordinator since 2013. In this position, he has taken the Jazz Combo to perform at four Jazz Education Network (JEN) Conferences in Atlanta, Dallas, San Diego, and New Orleans. They have performed with numerous guest artists such as Antonio Hart, Bobby Watson, and Sean Jones. Additionally, he brought the Jazz Combo on a Peer to Peer tour with the Herbie Hancock Institute of Jazz to San Antonio and Austin, Texas with guest artists Bobby Watson and Lisa Henry. Bruno also organized a tour for the Jazz Combo throughout Los Angeles in 2019 which included performances and clinics at Los Angeles County High School for the Arts and the Thelonious Monk Institute at UCLA.

In addition to his teaching at ChiArts, he has served as adjunct faculty at DePaul University teaching the Saxophone Technique course from 2010 to 2015. An experienced guest artist, clinician and arranger, he has worked with such schools and organizations as Dartmouth College, Youth Jazz Ensemble of DuPage, and the Chicago Jazz Philharmonic. Bruno also served as a guest director for the ILMEA District 1 Jazz Ensemble in 2018.

Anthony Bruno graduated Magna Cum Laude from DePaul University earning a BM in Music Education in 2007. He is a licensed Music Educator in the state of Illinois.

Ted Seymour

Ted Seymour was born in Dallas, Texas where he trained at the Dallas Metropolitan Ballet. He moved to Chicago to study with Dan Duell and Patricia Blair as a member of the Ballet Chicago Studio Company. Ted later attended The School of American Ballet where he choreographed two ballets for the school and was invited by Peter Martins to create a new ballet for the New York Choreographic Institute. After leaving SAB, he joined Cedar Lake Contemporary dance Company. Ted joined Suzanne Farrell Ballet in 2007 where he has danced featured roles in Balanchine’s Episodes, La Valse, and the Act II pas de deux from A Midsummer Night’s Dream among others.

Zineb Chraibi

A former dancer, Zineb Chraibi has performed with the Joseph Holmes Chicago Dance Theatre, Deeply Rooted Productions, Winifred Haun and Dancers as well as with various independent choreographers. She holds a BA in Dance from Point Park College in Pittsburgh, Pa. Ms. Chraibi grew up in Casablanca, Morocco where she first started training. She later returned to her native city of Paris to study ballet, modern, and jazz. She has also trained at Les ballets Jazz De Montreal, Ruth Page Dance Center and Lou Conte Dance Studios. She is currently on the faculty at the Dance Center of Columbia College, the Joffrey Ballet and guest teaches in the U.S. and abroad. She has also served on the faculty of the Conservatory of Dance at Barat College, The Chicago Academy for The Arts, The Joel Hall Dance Center, and taught at the Lou Conte dance Studio. In addition to teaching dance, Zineb is a certified Yoga and Pilates instructor who teaches in the U.S and abroad.

Kenyatta Rogers

Kenyatta Rogers is a Cave Canem Fellow and has been awarded scholarships from the Breadloaf Writers’ Conference. His work has been previously published in Poetry Magazine, Jubilat, Vinyl, Bat City Review, The Volta, PANK, MAKE Magazine among others. Kenyatta is a Lead Teacher for the Poetry Foundations Teacher Institute and Chautauqua Institution’s Young Writer Institute. He is as a co-host of the Sunday Reading Series with Simone Muench and is the Creative Writing Department Head at The Chicago High School for the Arts.